The charming function of Menorcan architect Emma Martí convinced Anna Truyol to design and style alongside one another this new space, impressed by the new enterprise values and Anna’s personalized practical experience as a creator of distinctive universes and group coach. The alternative of the constructing was also very important: the 1st girls’ faculty in Sant Lluís, a modest village in the southeast of the island. It was a mentioned constructing, constructed in 1900, but fully deserted.
Anna Truyol and Emma Martí’s intention was a small, non-invasive intervention that would maintain the background, encounters, and soul of the space. In just one example, the marés (area stone) partitions, comprehensive of imperfections, ended up remaining in their authentic condition and painted white to maintain the texture of the wall. “In this way, they go on to have daily life,” they make clear.
To attain diaphanous spaces, defined by the character of their products and in particular by their volumes, all the components that were not typical of the original constructing were eliminated. This initial intervention resulted in two open areas, dispersed around two floors, extremely roomy and shiny, allowing for the introduction of the critical elements for the new use. The intent of the intervention was to receive heat, welcoming operate areas that invite sharing and persuade creativity and open up-mindedness. The initial floor was developed as a residing house and kitchen with obtain to an outside patio.
The inside functions personalized-made kitchen area household furniture in lacquered wood and a blend of tables of unique formats, created by Artchimboldi, which alongside one another create an extensive surface area for meals, conferences and perform spots. A 4×4 meter slate, developed by the venture professionals and customized-produced, is a nod to the building’s previous and is a characteristic aspect of Artchimboldi, an unexpected piece that awakens illusion, participation, and creative imagination. An antique bookcase welcomes you within, and a sitting spot with poufs permits you to generate a cozy room for relaxation and reading through. When outside the house, the patio has a swimming pool intended by Emma Martí and lined with off-white microcement.
All installations are concentrated in the kitchen and bogs location, from the 1st floor to the roof flooring. The overall look of the reinforcements in the to start with floor ceiling with Fink beams was a determination taken throughout the design function, at the time the partition walls ended up taken out.
The ceilings have been maintained, resulting in spaces up to six meters higher, with picket beams and slats and quarter-timber beams. This top is emphasised by the intervention of various objects: a huge ceiling lamp or the chimney flue pipe that rises to 4 meters. On the 1st floor, a polished concrete flooring was chosen, which did not search for a best end.
The upper flooring is designed as a rest location. At the starting of the task, numerous rooms with bathroom sink have been prepared, but it was however a regular intervention. Based on Artchimboldi’s creative philosophy, 8 sleeping cubes produced of Flanders pine, two doubles and six singles, dressed with organic and natural cotton and wool futons, linen sheets and curtains. A ladder lets accessibility to the roof of the cubes, wherever it is also probable to slumber.
A area beneath the bed permits storing suitcases, footwear and private possessions. This storage place, collectively with a tailor made-produced bookshelf built by Anna Truyol, simplifies and will make the use of the home furniture more adaptable. On the next floor, the distinct existing flooring that outline the diverse rooms of the authentic building were preserved.
The roof was absolutely rehabilitated, waterproofing it, insulating it thermally and producing gentle inputs to the second flooring. On the 1 hand, the project is based mostly on recovering and enhancing the primary character of the constructing (protecting the textures of enclosures, floors, ceilings, façade holes, carpentry… particularly the blue glass of one of the rose windows) and on the other hand, on generating a totally differentiated intervention, making use of pine wooden as the new texture of the project.